FSEM 100Q2 | The Beauty that Differences Give Us: Art, Art History, and Disability Studies

We know the human body exhibits tremendous variation, as do the bodies of people who choose to make art. But how do artists’ lives and bodies impact the artwork they create? What important contributions does the work of Deaf dancer Antoine Hunter or of Carmen Papalia, who lives with a visual impairment, make to everyone’s understanding of sound and sight? In this class, we’ll study present-day artists such as Hunter and Papalia. We’ll also explore in more depth the early twentieth-century artist Frida Kahlo, the subject of a special exhibition this fall at the Virginia Museum of Fine Arts in Richmond. We’ll study her paintings, clothes, jewelry, and house to understand her lived experiences, especially in relation to disability. One goal of the course is to help students become more comfortable looking at, talking about, and analyzing art. The bigger goal explores the variety inherent in human bodies, senses, and experiences, and how different types of art—like paintings, photos, sculptures, performance art, dance, and other artforms—help us understand that variety in ourselves. We will also think about how these ideas can change how we live in and interact with the world. There’s a lot of interesting material for us to explore together!

 

Photo of Julia DeLancey, Professor of Art and Art History

Julia DeLancey, Professor of Art and Art History

I've been “doing” art history in one way or another since I was in high school and have still not found anything else I’d rather be doing, so I feel very fortunate. For teaching, I cover everything from cave paintings up to today, although my research is on early modern Italy (what many people know as “Renaissance Italy”). I first got interested in Disability Studies on a walk with a friend. She studies ancient Greece and was talking about the fact that ancient Greeks had created different categories for what counted as a ‘disability’. I said to her, “But surely we can all agree that blindness is a disability?” and she simply said, “Why?” That one question has fueled my interest for years now, and I am interested in particular in how people with diverse vision, including blindness, make and interact with art. Daily, I am moved by the openness of people younger than I am (most of you, I assume) to human variety and intrigued by all the ways that anything visual can show us about the great range inherent in humans. We’ll look at those things together in this class.